Abstract art and Abstract Expressionism

Abstract Expressionism was never an ideal label for the movement which grew up in New York in the 1940s and 1950s. It was somehow meant to encompass not only the work of painters who filled their canvases with fields of color and abstract forms, but also those who attacked their canvases with a vigorous gestural expressionism. But it has become the most accepted term for a group of artists who did hold much in common.

by artstory

All were committed to an expressive art of profound emotion and universal themes, and most were shaped by the legacy of Surrealism, a movement which they translated into a new style fitted to the post-war mood of anxiety and trauma. In their success, the New York painters robbed Paris of its mantle as leader of modern art, and set the stage for America’s post-war dominance of the international art world.

Surrealism

The most significant influence on the themes and concepts of the Abstract Expressionists wasSurrealism. The American painters were uneasy with the overt Freudian symbolism of the European movement, but they were inspired by its interests in the unconscious, as well as its strain of primitivism and preoccupation with mythology. Many were particularly interested in the ideas of the Swiss psychiatrist Carl Jung, who believed that elements of a collective unconscious had been handed down through the ages by means of archetypal symbols – primordial images which had become recurrent motifs. This gave many artists the impetus to move away from the biomorphic Surrealism of Miró and Picasso, and towards an increasingly reductive style. Rothko and Newman are typical of this progress: Rothko experimented with abstract symbols in the early 1940s before moving towards entirely abstract fields of color; Newman similarly sought an approach which might strip away all extraneous motifs and communicate everything through one powerfully resonant symbol – in his case, the so-called ‘zip‘ paintings.

Like any group of artists whose work achieves widespread recognition, Abstract Expressionism was eventually imperilled by its success. An extensive network of dealers, museums and galleries reached out to support it; even the government covertly embraced it and promoted it vigorously overseas as a testament to free-expression in America, in contrast to the repressions of the Stalinist Eastern Bloc. Inevitably, by the mid 1950s, the style had attracted a multitude of young followers, and what began as an impulse to expression, threatened to become stale and academic.

The themes and concepts which informed Abstract Expressionism may have lost the power to compel young artists, but the movement’s achievements continue to supply them with standards against which to be measured.

Artists:

Jackson Pollock
Willem De Kooning

Mark Rothko

Clyfford Still

Franz Kline

Hans Hofmann

Robert Motherwell

Barnett Newman

What a Crappy Day

These people’s days are likely not going to get much worse.

“Macro photography. A journey into amazement”

Sandra McCabe‘s Micro photography a journey between abstraction, fine art andnature photography.

I mentioned in last post about the abstract effect of natural forms in emotional side of human brain….
here is a great example of micro photography that is associated with nature photography but can be categorized as emotional fine art…

Every little thing has it’s own beauty or strangeness and this is what draws me to macro. Nearly all my photos are taken using hand held. A tripod annoys me no end sometimes I use basic editing, such a contrast or a bit of cropping. If I change the image too much, then it is not my photo. I’m still learning and that upward curve is steep but such enjoyment, awe and fun comes from that learning. (Sandra McCabe)

Sandra McCabe

Bee Buzz Championship

Bee keepers were wearing just a pair of shorts. They also used the help of a queen bee to “collect” bees. The winner, Wang Dalin, managed to attract a swarm of about 27 million bees (26.8 kg worth of bees) while his opponent was covered by 22 kg worth of bees.